Andrea Avruskin PT, DPT, LAT, ATC, CKTP

Physical Therapist    •   Athletic Trainer
Las Vegas, Nevada

AndreaAvruskin.jpg
Dr. Andrea Avruskin

Clinical Practice focus:
¤ Orthopedics
¤ Performing Arts Physical Therapy (dancers, acrobats, musicians)
¤ Sports Injury Rehabilitation
¤ McKenzie approach for spinal pain

 
 
Scroll down for:
¤ Professional Bio
¤ Media Zone
¤ Backstage Blog
¤ Original paper: "The Footbike™: A Physical Therapist's Observational Biomechanical Analysis"
¤ Contact Information

 Professional Bio                                                                                                                                                                                                  

Current Positions:

Backstage at Le Reve

¤ Nevada Physical Therapy Association (Chair, Public Relations Committee)

¤ Physiotherapy Associates (physical therapist)


Education:
¤ Doctor of Physical Therapy (DPT), Creighton University
¤ Certificate in Public Relations, University of Nevada, Las Vegas
¤ Master of Biokineisology and Physical Therapy, University of Southern California
¤ Bachelor of Arts, Psychology, Cornell University


Career Highlights:
¤ Disney's "The Lion King" at Mandalay Bay Hotel, Las Vegas (physical therapist)

¤ Xtreme Couture Mixed Martial Arts Training Gym, Las Vegas (athletic trainer)

¤ Cirque du Soleil's "O" at Bellagio Hotel, Las Vegas (physical therapist)
¤ "Le Reve" at Wynn Resort, Las Vegas (Assistant Head of Health Services Department, athletic trainer)
¤ 1996 Atlanta Olympic Games (physical therapist)
¤ Named an "Emerging Leader" in 2010 by the American Physical Therapy Association      

____________________________________________________________________________________________________

                                                                                       

 

Media Zone                                                                                                                                                                                                           

Click on the following links to see interviews and media coverage:

Treating Performers at Le Reve
Treating performers at Le Reve

Cornell University Alumni Magazine

Fitness Magazine - "The Body Shop"

Las Vegas Health Magazine - Back Pain article

Las Vegas Health Magazine - Men's Health article

PT in Motion Magazine - Emerging Leader Profiles article

View News (Las Vegas Review Journal) article: "Help for Your Aching Back"

PT in Motion Magazine - Celebrating National Physical Therapy Month 2010

National Athletic Trainer Association News

Rehab Management Journal - Fitness Equipment article

Rehab Management Journal - Pain Management article

Advance for Physical Therapists & PT Assistants - PT Month Article

Lahontan Valley News - Peanut Butter (& Jelly!) Challenge article

_____________________________________________________________________________________________________

BACKSTAGE BLOG: Recent Concussion Articles
  • Dr. Bob Cantu, one of the nation's leaders in concussion research and management, will recommend in a forthcoming book that no child under 14 should participate in collision sports like football, hockey or lacrosse.  Read an article about this announcement here.
  • More than 500 athletes sign up to donate their brains for CTE research, in this ABC News article.
  • CNN reports that the number of kids arriving at ERs with concussions has risen 160% between 2002 to 2009.  A likely reason is better recognition of the symptoms by parents and coaches. But that implies that possibly thousands of concussions were unrecognized for many years.
  • Congress and CDC define concussion as "brain damage" and will enact legislation for its management in 2013.
  • Can a helmet strap reduce concussions? Or is it manufacturers profiting from new fears?
  • Another leader in concussion research won half of a million dollars for further research.  See if you agree with his policy regarding his own kids' participation in collision sports - or is he clinging to old thinking?
link 

BACKSTAGE BLOG: Advice for Backstage Physical Therapists

 COSTOCHONDRITIS: RADICULOPATHY IN DISGUISE?

 The synchronized swimmer wept from pain - and frustration.

It kept happening. Despite resting and an intense rehabilitation program - the pain always tore through her chest again when she got back in the water and tried to boost herself up on to the stage edge by leaning on hands and pushing down with upper spine arched, as the choreography required.


She was diagnosed as recalcitrant costochondritis.  Despite three injections into her sternocostal joint, hundreds of hours of rehab, and weeks of rest, the same pain persisted.


Why wouldn't it just get better? Why couldn't the medical staff help her?


As her athletic trainer, it haunted me for years.


Last week, a dancer asked me to assess chest pain that had onset during a yoga class months earlier, worsening and improving unpredictably. Her pain was over the lower right sternocostal joints, and occurred when she bore weight on her hands in certain yoga positions.


Sounded eerily familiar.


Pectoralis testing revealed good strength and mild pain - nothing that would indicate a tear. Palpation, deep inhalation and cardio exercise were negative for pain. She denied a MVA or any trauma.

She had full thoracic flexion and extension motion with no pain. Repeated flexion had no effect. Repeated cervical motion, in all directions, had no effect.

 However, repeated thoracic extension - just 8 repetitions -- flared up her chest pain. Thoracic flexion motion was just as suddenly lost, mechanically blocked and painful.

The problem was now apparent: an anteriorly-bulging disc in her thoracic spine that deranged (bulged) only during repeated extension, like repeated downward-facing dog and cobra in yoga class. It wasn't leaning on her hands that caused the pain; it was the repeated thoracic extension that bulged the disc.  And the bulging disc obstructed flexion motion and caused radiculopathy anteriorly -- chest wall pain.

For treatment, I guided her through gentle and repeated thoracic flexion in a partial range of motion, and this reduced the obstruction and restored her thoracic flexion motion. The rapid success of the treatment confirmed the initial diagnosis.  She left with almost the same flexion range of motion as when she arrived, although slightly sore. 

For home treatment, I taught her repeated thoracic flexion with self-overpressure.  I instructed her to self-treat by doing this maneuver every two hours.  I also advised her to avoid thoracic extension for one or two weeks.  Her symptoms will most likely be completely relieved by the program.  

Why did I check her thoracic spine? I've been hunting the radiculopathy beast for a few years. I know its tracks, its daily pattern, its methods of camouflage, its confusion tactics. I now recognize the symptom pattern. Unusual, temperamental or unremitting pain that has failed to respond to previous treatment now waves the red flag of disc derangement and radiculopathy to me.

In a sense, I've become a 'disc whisperer'. 

How? I studied mechanical diagnosis and treatment (MDT).

Learning MDT has advanced my clinical abilities more than any other clinical technique in my 20 years of practice.  MDT enables me to identify disc bulges that cause obstructions to movement and rare radiculopathies that cause pain. MDT helps me solve recalcitrant and idiopathic pain patterns nearly every day, relieving patients of excruciating and unrelenting pain.

Decades-old chronic back pain, freshly 'tweaked' backs or necks, stiff necks, sciatica, sacroiliac pain, headaches, peri-scapular pain -- all of these and many more can be addressed successfully using MDT. 

I wish I had had this knowledge when I worked with that synchronized swimmer. I might have been able to spare her the anguish of chronic pain, and possibly save her career.

 

 

[Note: Obtain your MDT training through the McKenzie Institute.  They teach the authentic approach, and include necessary information and thought processes that other programs neglect.  Without the complete, exhaustive Mckenzie training, you can harm your patient, rather than help.  Don't take a quicker or cheaper class.]

link 

BACKSTAGE BLOG: Advice for Backstage Physical Therapists

CONCUSSIONS CAN HAPPEN TO ANYONE

new article can help describe symptoms and consequences of conceussions in many sports and activities, not just football.

Written by teen journalists, it gives a good initial view into what athletes feel, what are some long-term consequences and symptoms, and what tests can be used to clear an athlete for return-to-play (or, return-to-show).

Here is another article that describes a blood test that may one day help us chemically confirm the presence of a concussion. 

 Nevada just passed legislation to allow MDs, PTs and ATs to clear athletes to return-to-play after concussions.  Has your state?  If so, it's time for you to get very familiar with concussion recognition and management.  

The brain is the most important organ in the body, so it's beholden on us to be VERY good at concussion recognition and mangement.  

Be thorough, be conservative, be serious about concussions.  

You may be the only thing standing between a concussed performer and a lifetime of debilitating symptoms. 

link 

BACKSTAGE BLOG: Advice for Backstage Physical Therapists

PRIORITIES IN BACKSTAGE INJURY EVALUATION

Backstage injury evaluation is much like on-field injury management - time is of the essence, and a backstage PT needs to learn to assess an injury in seconds.  We don't have the luxury of doing a 1/2 hour evaluation, as do our counterparts in outpatient clinics.

What are the priorities in assessing a new injury during a show?   Think A - P - T - A.

 

  1. ABCs: As always, assess for ABCs (airway, breathing, circulation).  If the injured person lacks any of these, or is not oriented, or is in severe pain, activate your emergency action plan (call 911).
  2. PERFORM?  Here's where we veer away from normal assessment patterns: if the person is awake, oriented, and not in severe pain, ask the person if s/he can keep performing.  Stage management will need to know if they have to prepare a swing to cover or if they need to change show cues ASAP, and the PT must understand that this is a priority information need for the rest of the show to continue.  Yes, before you assess the injury, you determine if the person will stay in the show, and notify stage management if s/he will not.
  3. TIME?  If the injured person is staying in the show, ask him/her how much time s/he has for assessment and treatment.  The PT needs to know if there are 2 minutes or 15 minutes until the injured person's next show cue, as this will dictate what can be assessed and treated in that time.
  4. ASSESS  Only now should you ask what is hurting and how it happened. Be prepared to assess/treat very quickly.  Practice honing your skills to the bare essentials that will allow you to do a rapid, effective treatment to help the performer get back on stage ASAP.  

 

link 

BACKSTAGE BLOG: Advice for Backstage Physical Therapists

GLOVES FOR MANUAL THERAPY

Here's a quick tip.

When using your hands to hold a patient's body part for PROM or manual therapy, a good grip is priceless.

¤ A good grip results in less finger-digging into patients to hang onto slippery skin. Less finger-digging = less guarding. So the patient can be more relaxed.

¤ A good grip also helps avoid grip fatigue and wrist tendinitis in the therapist's hands.


I use these, football receiver gloves.    
FootballglovesforManualTherapyWeb.jpg

The sticky material on the volar side palm and fingers is perfect. Available at any sporting goods store.  Cost is about $20-40.

Use for PROM, joint mobs, trigger point release, manual traction, PNF, or anything else that might otherwise tire out your fingers or hands.

If your patient has flaky skin, you can wipe down the gloves easily with soap and water. Or, use exam gloves. If you prefer not to use your football gloves on compromised skin or certain skin conditions, then use regular clinic single-use latex or vinyl exam gloves. They also have greater friction than the skin on your hands, so they increase "grippability" while saving your hands AND preventing infectious contamination of the next patient, your football gloves, or you.

link 

BACKSTAGE BLOG: Advice for Backstage Physical Therapists

CONCUSSIONS DON'T HAPPEN JUST TO FOOTBALL PLAYERS.


Post-concussion syndrome, Second Impact Syndrome and Chronic Traumatic Encephalopathy (CTE) can be caused by untreated or repetitive concussions.


As backstage PTs, we cover musicals and shows that have increasing acrobatics and risky tricks required of the actors and dancers. Concussions can become more likely.


Quick points:

  • "Concussion" does not mean a person has to black-out or get hit on the head. Concussions can be caused by any quick stop of the head during motion.
  • Learn the signs and symptoms of concussions. Have a high degree of suspicion for them.
  • Do not ignore any symptoms of concussion, even if they are mild or it's weeks post-injury. Any degree of concussion is brain trauma; you must treat it as such.
  • Be sure not to return performers to activity too early after a concussion.
  • Keep in mind that any additional trauma to an unhealed brain (including spinning or jumping) can cause Second Impact Syndrome, which results in 50% mortality and 100% disability . This means that if an unhealed concussion is traumatized a second time, even mildly, there will be some form of permanent brain damage (learning disability, chronic headaches, emotional problems, etc).
  • Take responsibility to prevent post-concussion syndrome and CTE in your patients.
  • Listen to the entire 38 minute story about concussions and CTE from National Public Radio (since the transcribed text does not contain all the info): 
Be aware of concussions from outside events, such as a recent car accident, ski accident, etc.
  • Your performers could come into work not realizing that their headache from the fender-bender on their day off is a concussion. If they then proceed to jump, spin or fly, they can induce Second Impact Syndrome.
  • Keep your ears open for rumors of car accidents amongst the cast, and go interview the involved person for signs/symptoms of concussion. Be thorough and persistent. Often, doctors miss those symptoms or dismiss them.
  • Hint: If the person you interview reacts irritably and out of character to your questions, strongly suspect concussion. Irritability is one of the common symptoms.

 _________________________________________________________________________________________

link 

2011.10.01 | 2011.08.01 | 2011.07.01 | 2011.06.01 | 2011.01.01

Link to web log's RSS file

FootbikeStreet.jpg
Footbike Street Model (FootbikeUSA.com)


 
 
The FootbikeTM:
A Physical Therapist's Observational Biomechanical Analysis ©

By Andrea Avruskin PT, DPT, ATC, LAT, CKTP

©2011 Andrea Avruskin. All rights reserved.

OVERVIEW

The FootbikeTM is an excellent tool for rehabilitation, training and conditioning. It challenges lower body strength, power, endurance and balance, as well as trunk and upper body stability and endurance. It is suitable for non-athletic people and athletes who are healthy, recovering from injuries, or preventing injuries.

SPECIFICS

Joints

Impact Stress

The FootbikeTM provides an intense cardiopulmonary workout without high-impact stress on joints from repetitive pounding on the pavement (as in running). This is an advantage for anyone with thinning joint cartilage, or anyone with an interest in preventing cartilage damage, as one can enjoy speed and athletic activity with a reduced exposure of joints to the high-impact compressive forces of running.

Range of Motion

The joint range of motion (ROM) required to use the FootbikeTM recreationally is less at the knee and hip than is required to ride a regular bicycle or even to climb stairs. Therefore, the FootbikeTM can be a useful and enjoyable tool for people who don't have full ROM or are working on improving their range of motion.

Competitive racing on the FootbikeTM requires more ROM in a few joints than recreational riding requires. 100-110 degrees of hip flexion ROM is needed due to a flexed trunk-on-leg position typically favored by competitive racers. Shoulder flexion ROM of approximately 110-130 degrees of glenohumeral joint flexion is also required to attain this racing position.

Posture

A racing bicycle forces a seated rider to maintain sustained lumbar and hip flexion and cervical extension positioning, which often lead to back and neck discomfort or fatigue. Body alignment on the FootbikeTM, however, allows a user to maintain more normal lumbar lordosis, thoracic kyphosis and cervical lordosis.

The upright, more natural posture on the FootbikeTM may also help users avoid shortening and tightening of the psoas muscles, which can occur during sustained flexion positioning of the hip, such as that required in using a racing bicycle.

Propelling leg

Riding a regular bicycle targets proximal muscles in the leg, such as the gluteals and hamstrings. When using the FootbikeTM, foot contact with the ground during propulsion requires peripheral muscles, such as the foot and toe muscles, to generate force as well. A greater number of distal muscles are challenged during a FootbikeTM workout than during a regular bicycle workout.

The posterior hip and leg muscles in the propelling leg use an explosive concentric contraction to propel the FootbikeTM. Recruited muscles include the gluteal muscles, hamstrings, gastrocnemius and soleus, peroneals, posterior tibialis, flexor digitorum and flexor hallicus longus, as well as the foot intrinsics.

Standing leg

On a regular bicycle, the majority of weight bearing when the rider is in the seated position is on the bicycle seat, at the groin level. The distance from the seat to the "core" of a rider's body (i.e. the lower abdominal and pelvic floor muscles) forms a lever arm length of only a few inches that the core muscles must control to maintain upright balance.

On a FootbikeTM, weight bearing is at the end of the leg, at the foot. Therefore, the lever arm is the entire length of the standing leg - several feet in length. This longer lever arm forces the core and leg muscles to work harder to stabilize the body standing on the FootbikeTM than they would need to if the body was seated.

When a bicycle rider is in a standing position, the lower body lever arm is also equal to the length of the leg. However, a bicycle rider stands on two feet that are positioned laterally to his/her center of gravity. This creates two points of contact and a wider base of support than the Footbike'sTM single point of contact. A wider base of support makes balancing easier, allowing core and leg muscles to work less hard to maintain balance. A single point of contact is a narrow base of support, as on the FootbikeTM, and requires more muscular work to maintain upright balance.

The FootbikeTM challenges the isometric and eccentric strength of the hip, knee, and ankle muscles in the standing leg, and the pelvic, abdominal and spine muscles in the trunk. These muscles include the peroneals, posterior tibialis, flexor digitorum, flexor hallucis longus, anterior tibialis, gluteal muscles, hamstrings, quadriceps, tensor fascia lata, adductor magnus, gracilis, sartorius, pyramidalis, psoas, iliacus, quadratus lumborum, rectus abdominis, transverse abdominis, and erector spinae.

Upper body

To steer and brake the FootbikeTM, the hands are placed on bicycle-type handlebars. There is some moderate weight bearing on the hands. In most respects, the arms and hands are used similarly to that on a regular upright bicycle.

However, it takes more muscular effort to control the handlebars and front wheel of a FootbikeTM than on a regular bicycle, especially during the propelling phase, when the propelling leg is swinging forward, brushing against the ground and lifting behind the body. The forceful movement of the propelling leg, as well as balancing on a single standing leg, reduces the stability of the body on the FootbikeTM. The upper body must compensate for this by increasing the isometric muscle contraction force in every muscle from the fingers to the shoulder and into the upper trunk.

Competitive racing on the FootbikeTM requires the trunk to lean forward during propulsion. Since the hands stay on the handlebars while the trunk leans forward, increased concentric and eccentric contraction forces of the latissimus dorsii muscles are needed to maintain balance and control in this racing posture.

Balance ability

On a regular bicycle, the thighs provide lateral stability of the bicycle seat, controlling side-to-side motion of the bicycle. On a FootbikeTM, no part of the machine is tucked in between body parts, so there is less stability in that respect.

As described in the "Standing Leg" section, the rider's body weight is balanced on one foot on an open, flat platform that has 180 degrees of available lateral rotational movement. This narrow base of support on the FootbikeTM means stabilization while riding is more difficult and challenging, requiring more coordination and muscular effort from core and leg muscles to maintain balance than on a regular bicycle.

Since activities that challenge a person's standing balance strategies can help improve balance ability, use of the FootbikeTM could result in improved overall balance. Therefore, the FootbikeTM can be a useful tool for post-injury and post-surgical rehabilitation to regain standing balance endurance ability and endurance. The FootbikeTM can also be a powerful training tool for improving standing balance ability and endurance in healthy athletes and non-athletes.

RECOMMENDED PRECAUTIONS

Persons who should gradually increase their time on a FootbikeTM, or wait until specific medical conditions are improved before riding a FootbikeTM, include the following:


¤ Persons with recent or chronic carpal tunnel or wrist problems. 
¤ Persons with recent or chronic plantar foot conditions, including fasciitis and sesamoiditis.
¤ Persons with less than normal independent overall balance ability.
¤ A person should be able to, at the very least, walk and stand with eyes closed, without external support, and have no medically-rated risk of falling, prior to attempted use of the FootbikeTM.
¤ People with neurological conditions (i.e. post-CVA, TBI, Parkinson's, etc...) may not be appropriate for FootbikeTM usage until they are very high level, and should be cleared by their physician or therapist before attempting to use any recreational wheeled machine.
¤ Persons with recent lower extremity or trunk injuries/surgeries.

After proper strength is restored to the lower extremities and trunk, the FootbikeTM can be included in the daily long-term conditioning programs of these people, upon agreement of the treating physician and/or therapist.

 

This paper is protected by copyright and permission should be obtained from the author prior to reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording or likewise. For information regarding permission(s), go to www.avruskinpt.com or e-mail aavruskin@aol.com .

 

CERTIFIED KINESIO TAPING PRACTITIONER, CKTP, and the CKTP Logo are certification marks of Kinesio IP, LLC. 

For more information
To request a current curriculum vitae, or for other inquiries, please send an e-mail, with verifiable credentials included, to aavruskin@aol.com.

©Copyright 2012 Andrea Avruskin.  All Rights Reserved.

Powered by Register.com